Friday, September 13, 2013

From West to East: Actress Diana Huey's journey from Seattle to D.C.


“Kim has been my dream role for years!” Diana told the group of eager Signature patrons who attended this month’s Brown Bag Thursday. “When Eric [Schaeffer] called me to say I got the part, I was so shocked I didn’t say anything for 10 seconds!” she said with a laugh.

Her love of musicals began by watching Disney movies as a child. By the time she was performing in her high school musicals, she knew that she wanted to do theatre full-time. She graduated from the Cornish College for the Arts in Seattle in 2008. Her first experience with Miss Saigon was when her older sister gave her a copy of the original London Cast Recording. Diana became so wrapped up in the story that she stayed up until 4am to finish the CD. “I was bawling so hard by the end of it,” she admitted.

“It’s a challenging role to break into,” she explained. Theatres often cast Kim from a well-known group of actresses who have played the part before. When Diana received an invitation from a friend to audition for Signature’s Miss Saigon, she quickly put together a video sample without much hope that it would come to anything. When she was offered the part, she prepared to move to perform her first major role on the East Coast.

Diana soon bonded with her fellow cast members. “This cast is so supportive, it’s like a family!” she said. That camaraderie turned out to be very important when Jason Michael Evans, playing Kim’s American G.I. lover, pulled a muscle in his vocal chords. Diana remembers how Director Eric Schaeffer patiently worked with them through this process. “[Eric] was so supportive. He even drove Jason to the doctor’s office!” 

In the end, Jason’s understudy Gannon O’Brien stepped into the role with only days before the first public performance. “The first time Gannon and I ran a show the whole way through was in front of an audience, with all of my family watching!” Diana told us. In spite of the pressure, everyone was very calm, and she counts herself lucky to work with such a talented team.

Will she take her talent even further east for the upcoming London West End revival scheduled next year by Cameron Mackintosh? She said that regardless of what happens, “it’s really cool to just get an audition!”

For now, she continues to bring poignant power to Signature’s Kim night after night. “Kim is a different person in every way from beginning to end. She doesn’t give up. She does it all with such strength and purpose, because she has to,” Diana told us. “It would break my heart to not be 100% invested in this show and give it the energy it deserves.”

After talking with Diana, it’s easy to see that this upcoming actress has quite a bit in common with the role she loves.

Thursday, September 12, 2013

In With the Interns: Kelley Harrington



Name:  Kelley Harrington



Long-Term Goals: I plan on working full-time as a production dramaturg, or in theatre education/administration, preferably in the DC area. I also hope to publish a book at some point and travel as much as possible!

Favorite Musical: Les Misérables, Assassins

Favorite Play: 
(General): Translations by Brian Friel
(Older Play): Nathan the Wise by Gotthold Lessing
(New Play): The Convert by Danai Gurira

Favorite Movie:  The Lord of the Rings trilogy (Return of the King if I had to pick one)

Internship Start Date: September 3, 2013

Internship Duties: Production dramaturgy and teaching for “Signature in the Schools” and additional duties for the Education Department. 

Favorite Things About Signature: I love that Signature is not afraid to do new musicals and perform well-known musicals in a fresh new light. I also like the atmosphere of the office. This staff clearly likes to have fun with their work!

Favorite Things About D.C.: I’m super excited about the history and arts that I see everywhere I go in this city. From the grandiose Kennedy Center to the community contributions that allow Signature to put on awesome shows, D.C. cares about theatre, and I’m thrilled to be part of it all now. I’ve also been impressed by the sheer number of beautiful fountains in this city. Seriously, they’re everywhere.

General Cool Things About You: I know how to water-ski; I once received dramaturgy advice from Stephen Schwartz; I often listen to (and sing) Disney songs to get motivated; I am a self-professed chocoholic.

Pick two celebrities to be your parents. Who and Why?
Tina Fey & Neil Patrick Harris : My life would be one long musical comedy.

Wednesday, August 14, 2013

Inside Stage One

Inside Stage One

Listen to the 2013 Stage One students, as they give you the inside scoop on the program's first week.



For more about Stage One, check out the official site. Congrats to this year's students! 

Thursday, August 1, 2013

Sizzlin' Summer Cabarets: The Backstage Secrets

Walter Ware III, Signature's Artistic Coordinator, is now officially over all of Signature's cabarets, including the Sizzlin' Summer Cabarets. This week, he sat down with Education Intern, Irene Casey, to discuss these ever popular events. 



Irene: Why does Signature do cabarets? 

Walter: The culture of Signature...is inviting to the audience and one where we are trying to give the audience an experience. I think that we do that through cabarets in that people don’t necessarily want to know just a story, they want to know a performer. And that’s a really cool opportunity for them in a cabaret to get to know a performer.

 Irene: What are audiences surprised by when they come to cabarets?

Walter: I think they’re surprised that they get to take glasses and food into the theater, so there’s one thing. But actually, it might not be exactly what they’re expecting because it is so intimate. The performers usually do sort of beg the audiences for a little feedback. They engage with them, talk with them. The audience seems to really respond well to that intimacy once it’s establish, but it can take a little getting used to.

 Irene: How do you and the performer choose songs?

 Walter: It’s really cool in that the performer gets to do what they want to do or maybe what they’re not just used to doing or the audience hasn’t seen them do before. I usually consult with the performer and go, “Hey, what do you want to do?” and then we build around that. We just build off of the idea that they begin.

 Irene: What do you like about directing cabarets?

 Walter: There are no rules. We’re not going to put people – well, I guess we could put people naked on stage, we’ve done it before not in a cabaret. But, no. You get to create a story. You get to create a little 60-70 minute story. And you get to know these performers in a way that you definitely wouldn’t in any other setting. It’s really cool to be able to create with these performers and showcase them in a fun and different way.

 Irene: What do you like about developing these stories?

Walter: Let’s take a specific cabaret as an example. Say, the Holiday Follies cabaret. Basically what we did was we had a couple of holiday songs, we had Ma’oz Tzur, which is a traditional Jewish hymn and we had things like Christmas in the Trailer Park, which is this YouTube sensation. Finding a way to make those two songs come together is really exciting for me. We set it up like the Neo-Futurists do, we had 16 stockings and we had a different song in each stoking and the audience’s job was to yell out, “Number four, number four, number four!” and the performers would go up to a stocking, “Oh! What’s this?” and it was a different order every night. It’s really fun to build the script, build with the actors how we’re going to take the audience on this 60 or 70 minute jaunt, this journey, whatever it might be because it really does have that flexibility.

Signature's Sizzlin' Summer Cabaret series has begun. Get your tickets here!


Thursday, July 25, 2013

The Images of Miss Saigon: A History

The Images of Miss Saigon: a History

Miss Saigon has been wowing audiences since 1989 and is set to wow audiences at Signature in just a few weeks. But the show's genealogy goes much further back than just 1989. Here's an abbreviated history of where this wildly successful musical comes from.


1880
In 1887, John Luther Long published a short story called "Madame Butterfly." It was the tragic love story of a US naval officer and a Japanese geisha. Above is an illustration from that short story.
1890

1900
Davis Belasco made the short story into a one-act (1900) which Puccini saw. This inspired him to write his opera Madame Butterfly which was first performed in 1907. The picture above is Geraldine Farrar in the title role. Below is the poster from the original production.

1910

1920

1930

1940
At the end of WWII, Vietnam was no longer occupied by Japan who had taken over the French colony when France was invaded by Germany. However, many did not want to fall back under French rule, so the communist movement led by Ho Chi Minh (above) declared Vietnam to be an independent country and went to war with France.
 1950
North Vietnam  was  recognized as a country after defeating the French. In 1955, America decided to give military aid to South Vietnam in order to prevent communism from spreading from the North to the South. The conflict would last for two decades. The above photo is from the US Army.
1960

1970
 In 1975, the North Vietnamese Army succeeded in marching through South Vietnam to the capitol: Saigon. The city was taken as the last US soldiers fled in helicopters. The above photo of a helicopter is an iconic image of the fall of Saigon and of the musical Miss Saigon as well.
 1980
Schönberg saw the above photo of a mother leaving her half-Vietnamese, half-American son at an airport terminal where he would go to live with his father in American. Schönberg was reportedly inspired by this image, which he considered to be the ultimate sacrifice, to write a musical.
1990
The musical, a retelling of the Madame Butterfly story in the Vietnam War, premiered in 1989 in London. The above photo is of the original London production.
2000

2010

And in 2013, Signature Theatre opens their 2013/2014 season with an environmental production of Miss Saigon where the entire theatre will be transformed into 1970s Vietnam. Get your tickets here!

Interested in learning more about Signature's production of Miss Saigon? Be sure to sign up for an exclusive backstage tour of the production. Tickets are only $10. 

Tuesday, July 2, 2013

Broadway, Here I Come


For two weeks, Alexandra, one of our amazing Overtures students, made daily note of her experiences here at Overtures. Here's her final entry! 

Signature Associate Artistic Director Matt Gardiner with the Overtures class of 2013.

Fourteen days ago, seventeen eager young artists stepped into the ARK at Signature Theatre for a first taste of what would be two exhausting and inspiring weeks. We recognized great talent in each other’s first few notes and were stunned by the grace and ease (and the drive to for that grace and ease) in the first dance class. We became fast friends and even stronger supporters, pushing each other to demand and achieve more. We learned from the best and were sponges to every suggestion, opinion, technique session, choreography phrase, posturing realignment, words of advice and encouragement.

Our final showcase this morning in front of a nearly full house in the MAX was the perfect Overtures capstone. Full of big, belted ballads, fast-footed choreography, and captivating performances, our company held nothing back. I couldn’t help but smile (and even start to tear up a little) knowing how hard we worked and how far we each had come. That troublesome double pirouette was not quite so scary. That lyric suddenly had so much more meaning than ever before. Those high notes were spot on. It was our closing number, “Song of Purple Summer” that truly gave me chills. There was a moment as we stepped downstage together that I could distinctly hear everyone in harmony - and I do not mean only musically. We were listening so intently to each other, our breaths in sync, our harmonies blending beautifully. It certainly had a least a few people in the audience reaching for their Kleenex.

It seems strange be writing this final blog entry in the middle of the afternoon instead of at 11 PM after a long day singing and dancing in the ARK and Zickler. It seems incomprehensible that tomorrow we will not all return to perform one last time together in the MAX. As I pour over my notes and listen to the recordings I took from work sessions and group music rehearsals, I am encouraged to think that it will not be long before we all see each other again – probably going together to support a fellow company member in their next show!

I cannot say enough was a true privilege it has been to learn from and work with such an amazing group of master artists, fellow company members, our intrepid education director and interns, and everyone in the Signature family. Their passion, determination, work ethic, love for musical theater and for our 2013 Overtures company has made these past two weeks an incomparable experience and one I doubt we will soon forget wherever our careers take us next. 

Night Music

For two weeks, Alexandra, one of our amazing Overtures students, made daily note of her experiences here at Overtures. 

Friday, June 28 

As we near the end of a demanding, exhausting, encouraging, and uplifting two weeks, there are few words left that will not sound too nostalgic or cliché to describe what an incredible experience Overtures 2013 has been. Few words, but “Thank you!”

With final tech preparations wrapped for our company showcase tomorrow morning, individual exit interviews with our exceptional instructors, and a chance to make personal reflections on how far we have come these past two weeks and where we will go from here, this evening’s final rehearsal was one last chance to regroup as a company before tomorrow’s performance. With the venerable Darius Smith at the piano arranging a popular, Broadway-geek-anthem, on the fly, we took on a little jam of “Empire State (Part II)” by Alicia Keyes. In under two hours, we made some truly beautiful music together.


Just as there were glimmers of excitement two weeks ago when we met and sang together for the first time, I noticed flashes of enthusiasm, glints of admiration for and appreciate of each other, and sparks of real joy. Joy that we will no doubt share on stage in tomorrow morning’s final showcase of Overtures 2013. Yay us! We make art! 

Friday, June 28, 2013

I Will Be Presenting...

Alexandra, one of our many talented Overtures students, has taken over our blog. Check back for daily updates and come to the Overtures showcase Saturday at 11 AM in Signature's MAX Theatre! 

Today was the day: auditions. Auditions are nothing new to the 17 members of the Overtures company. We auditioned to get into the program, after all! Many of us have lost track of the number of calls we have been seen at, let alone those we were not seen at, and we are sure to forget many more in our long careers. But today’s call with casting directors from Arena Stage, Olney Theatre Center, Shakespeare Theatre Company and, of course, Signature’s Matt Gardiner, certainly had our nerves on edge. Though the past two weeks have amply prepared us for today’s casting session, the inevitable jitters arose right on cue. But when the time came, we gave it our all.

There is a moment in a performance when the actor’s eyes widen slightly, their breath connects, the hair on the back of their neck rises in anticipation of that note they just recently discovered was in their range, and as the crisp clear sound of a perfect pitch meets the audience’s ears, a smile spreads across the actor’s face. There were many well-deserved smiles in today’s auditions.

We have spent the past two weeks intensely training for moments just like today – standing in front of casting directors and delivering a performance to remember in hopes of landing that gig and another chance to perform. We can second-guess material, we can over think an outfit and feel uncomfortable performing, or we can hold tight to the confidence we have gained and trust in the smart choices we have learned to make. Of course, it helps to have 16 other company members going through the exact same thing looking on with only admiration and support for all the work you have done!

As we shared dinner conversation after a long afternoon of auditions, it was so clear how much our company has grown to care for one another. Heartfelt congratulations and words of reassurance were not in short supply. Our work, all of our work, was and is something to be extremely proud of. With only one more day together and a final showcase Saturday morning, we will, no doubt, pass along many more good vibes and sentiments of affection. We have watched each other grow as students and artists, and I can only imagine how far we will all go in the very near future. Watch out!

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