Showing posts with label Hello Dolly. Show all posts
Showing posts with label Hello Dolly. Show all posts

Friday, May 10, 2013

"Why do you want to be on Broadway?"

"Why do you want to be on Broadway?"
TEDxBroadway 2013 Series (Part I)

George Takei is not a name one would necessarily associate with Broadway. Neither is Randi Zuckerberg or Susan Salgado. And yet these individuals, along with 14 others, were speakers at this year's TEDxBroadway conference on Janury 28th. These highly successful and inventive individuals gathered together in front of a 450 member audience to discuss the future of Broadway. The big question posed was "What's the best that Broadway can be -- on stage, in the community, and throughout the world?"

In this three-part opinion series, Signature Theatre staff look at their favorite talks from the TEDxBroadway 2013 conference sharing thoughts, insights, and an analysis of the issues facing the theatre industry at large and how Signature Theatre is handling them. Read Part II here.

Today’s blog author is Marcella Toronto, Signature’s education intern.

I have chosen a career in theatre because I can’t picture myself doing anything else. Creating and sharing through this medium fills me with energy, purpose and a passion that I can’t explain. Many other theatre artists express similar sentiments when asked why they do what they do. So why is it that not all theatre productions reflect these feelings? As much as we may hate to admit it, many of us have either seen or been in a less-than-inspiring show. In Terry Teachout’s talk entitled, “Why Do You Want to be On Broadway?” he challenges the theatre industry to gamble on greatness.

Terry Teachout
Source: http://bit.ly/10uiPJs
Teachout begins his remarks with a fact:

Seventy-five percent of all Broadway shows lose money. Three shows out of four.”

To call odds like these discouraging would be an understatement. But I love how Teachout puts this statistic – and what all the play-it-safe-ers are probably thinking – on its head.

What William Goldman said about Hollywood goes double on Broadway: nobody knows anything. And that means that there's only one reason for you to be on Broadway--and that's to have fun.

So how do you do that? If you're a creative person--and everybody on Broadway is, or should be, creative in one way or another--then the best way to have fun is to try to do something good. Really good. To roll the dice on excellence.”

I love working at Signature Theatre because one of the things Signature does best is, as Teachout put it, “roll the dice on excellence.” Over the past 23 years, Signature has developed a reputation for “definitive Sondheim productions, inventive adaptations of overlooked or forgotten works, and investment in fresh new projects.” And that’s what makes Signature Theatre so great, that’s what draws the audience. You know that when you come to Signature you’re going to see something that nobody else has ever done:

Assassins with the stage as a reflection of the audience
The cast of Assassins
Source: http://bit.ly/ZRTNXZ
“How do I convey the pow! factor in Signature Theatre’s startling new staging of Assassins without spoiling it for you? Absorbingly original… boldly, stylishly theatrical… exhilarating.”
  – Peter Marks, The Washington Post

Show Boat… with no boat
“What is being fondly called “No Boat” (no two-tiered riverboat is recreated onstage) may or may not be the future of this lavish, rarely performed show.”
David Belcher, New York Times

Hello, Dolly! with no grand staircase
“Dusting off the script, Director Eric Schaeffer has created a fresh new Dolly that is personal, heartfelt, and engaging.”
– Mark Beachy, MD Theatre Guide

Les Miserables with no turntable
“The Signature experiment works on many levels. Bringing the production down to an intimate scale assuredly makes the characters more accessible, even when crooning those familiar larger-than-life numbers.”
– Paul Harris, Variety

There are shows I have forgotten or wish I could forget, but the breath-taking image of a magic ring of candles descending from the sky in Shakespeare’s R&J is a memory I will always cherish. Those are the kind of risks that make Signature great.


A magical moment in Shakespeare's R&J
Source: http://bit.ly/12hbBvp
 
I have to admit I’m going to steal Teachout’s closing. Because it’s just that good.

“If there's ever a time in life for you to shoot high, this is it. Don't start out settling for safe--gamble on great. Forget about making money. You're not going to make money. Instead, make something beautiful. Something special. Something new. Something that makes you proud. Do that and you always win...and who knows? You might even get rich.”

I only hope we can all live up to his challenge.

Read the full text of Teachout’s talk here.

Check out the rest of the talks from TEDxBroadway 2013 here.

Wednesday, May 1, 2013

Call on Dolly!


Opel and the cast of Hello, Dolly!, a co-production between Signature Theatre and Ford's Theatre.
Photo: Carol Rosegg

Opel as "Mama" in Memphis.
Source: http://bit.ly/qxu3KL
It's been a while since Dolly Levi has been on the scene in DC - 18 years, to be exact. It's only fitting that her return should be performed by a Broadway veteran like Nancy Opel. A Kansas native, Opel has spent most of her career in New York City on Broadway performing in shows like Evita, Sunday in the Park with George, Memphis and  Urinetown (for which she garnered a Tony Award nomination for Best Performance by a Leading Actress in a Musical).



Watch the original Broadway cast of Urinetown perform at the 56th Annual Tony Awards:


Hello, Dolly! is actually Opel's first show in the DC area and she certainly arrived with a bang:

"Nancy Opel is glowing, crowing, and going strong. Taking on the titular role of Dolly, Opel brings an impish stage presnece to Ford's Theatre, and she handles her considerable duties with ease and charm. Dolly fits Opel like a well-tailored glove."
- Broadway World

"Nancy Opel, who has a touch of Debbie Reynolds' winsomeness about her, plays Dolly in a refreshing, straightforward way. She can be very funny, without underlining things, and she allows a vulnerability to peek through"
- The Baltimore Sun

Did you also enjoy Opel's performance? Tweet her a compliment @NancyOpel.
If you haven't seen the show yet, buy your tickets here. Only 22 performances left!

Hear what Dolly! director Eric Shaeffer and Opel have to say about this unique production:



Tomorrow's Brown Bag Thursday guest will be Opel's incredible co-star Edward Gero, currently playing Horace Vandergelder in Hello, Dolly!

Be sure to join us on Thursday, May 2nd at 1pm in the Mead Lobby.
Can't make it in person? Follow @sigtheatre on twitter and use #sigbrownbag to ask Gero your questions.



COMING UP
For our May 6th Page to Stage, we'll be have a special movie night where we will be showing the 1969 film adaptation of Hello, Dolly! starring Barbra Streisand and directed by Gene Kelly. Please note that we will begin at 6:30pm instead of 7pm and as always it will be held at the lovely Shirlington Library.

Thursday, April 11, 2013

Hello, Edward Gero! (and Dolly, for that matter)

For our April Brown Bag Thursday, we will be entertaining Edward Gero, a veteran actor playing the role of Horace Vandergelder in Hello, Dolly!, a co-production between Ford’s Theatre and Signature Theatre.

Horace and Dolly share a meal at the Harmonia Gardens.
Photo by Carol Rosegg

Hello, Dolly! is perhaps one of the most iconic of American musicals, conjuring images of stars like Carol Channing, Pearl Bailey, and Barbra Streisand. However, Hello, Dolly! did not begin as the powerhouse of a musical that we know today. The musical Hello, Dolly! actually began as a play called The Merchant of Yonkers, written by Thornton Wilder in 1938. Never heard of it? That’s probably because The Merchant of Yonkers was a flop. It was only after Wilder re-worked the play and published it under the title The Matchmaker in 1955 that the story began to pick up steam. Ten years later, lyricist and composer Jerry Herman and book writer Michael Stewart completed their adaptation of Wilder’s play into the show audiences have been humming and tapping along to for the last fifty years. The ten-time Tony Award-winning musical ran for seven years and 2,844 performances on Broadway, has since been revived multiple times and been performed in countries all around the world.




For those who are unfamiliar with the show:

In the Tony-winning musical farce Hello, Dolly!, the cantankerous half-a-millionaire Horace Vandergelder hires matchmaker Dolly Levi to find him a wife. Dolly soon hatches a plan to woo and win Vandergelder’s hand herself, while simultaneously arranging romantic prospects for his niece, his clerks and two of Manhattan’s most eligible shop girls.

Watch the Ford's Theatre Hello, Dolly! trailer here.
Our Brown Bag guest Edward Gero will be playing the role of Horace Vandergelder the aforementioned "cantakerous half-a-millionaire." Read a little about him in this bio courtesy of George Mason University where Gero teaches:

Edward Gero, a fourteen-time nominee and four time recipient of the prestigious  Helen Hayes Award for his work in Shakespeare, contemporary and musical theatre, has been teaching at George Mason University since 1991.   Offering a wide variety of courses from Beginning Acting to Characterization, Acting Shakespeare, Verse Speaking, Script Analysis, and many others, he continues his 30 year performance career throughout Washington stages and across the nation.

This year he completed a critically acclaimed production of John Logan’s Tony Award winning play RED, directed by Tony Award winning director, Robert Falls at The Goodman Theater in Chicago and Arena Stage in Washington. He wrote a blog “The Making of RED” to chronicle his process. He will be returning in the 2012 Washington Theater season as Scrooge in the acclaimed production of A Christmas Carol at Ford’s Theater. In 2011 he appeared in The Chosen by Chaim Potok at Arena Stage and Salieri in Amadeus at The Round House Theatre in Bethesda, MD.

He has been a company member of the nationally known Shakespeare Theatre Company in downtown Washington since 1983, appearing in over 75 productions there. He was named an associate artist at Center Stage in Baltimore, MD.  He appears at many others regional theaters including The Goodman Theater in Chicago, Ford’s Theatre, The Studio Theatre, Round House Theatre, Arena Stage, Olney Theatre Center, Theater J and George Mason's own Theatre of the First Amendment.  He can also be heard narrating on The Discovery Channel, Science Channel and Nat Geo.

Don't forget to be part of the conversation tomorrow! Our Brown Bag Discussion with Edward Gero will begin at 1pm in the Mead Lobby at Signature Theatre. Can't make it in person? Follow us on twitter @sigtheatre or use #sigbrownbag.

Ford's and Signature's co-production of Hello, Dolly! is currently playing at Ford's Theatre and will run until May 18th. To purchase tickets online, click here.

Want a second opinion on what you saw or a head's up on what you'll be seeing? Check out some of the reviews for Ford's and Signature's Dolly!:

COMING UP: May 6th, 2013 Page to Stage -- Join us for a special viewing of the film version of Hello, Dolly! starring Barbara Streisand. The film will begin at 6:30pm in the Shirlington Branch Library. We'll bring the popcorn, you fill the seats!


Sources:


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